It's not quite garden party weather out, but the Waltz of the Flowers is perfectly in season, led here by Soloist Brittany Pollack as Dewdrop. Live performances of George Balanchine's The Nutcracker® begin in just three days at Lincoln Center, November 26 through January 2. For tickets and information, including our updated commitment to safety, visit nycballet.com/nutcracker 2021-2022 performances of George Balanchine's The Nutcracker® are generously sponsored by Travelers Insurance. | New York

Tuesday, April 28 at 8 PM see Balanchine's Iconic Apollo, featuring Taylor Stanley, Tiler Peck, Brittany Pollack, and Indiana Woodward with an introduction by Ballet Master Craig Hall. | New York City Ballet

Engage with a living, breathing art form as it unfolds in real time, and embrace the collective experience of audience members and performers sharing an ephemeral live performance. New York City Ballet is back onstage with six weeks of winter performances, featuring world premieres by Resident Choreographer Justin Peck and Artist in Residence Alexei Ratmansky, an array of Balanchine and Robbins favorites, and a two-week run of the enchanting full-length The Sleeping Beauty. Now through MAR 1. |

What makes every performance at New York City Ballet magic? Hint: It takes a lot of people. Watch our Education Dept's adorable new video, which takes you behind the scenes of morning class, the costume shop, the shoeroom, and much more. And get tickets to our upcoming 19-20 Season performances and education events — now on sale. You can also learn more about the educational programming NYCB offers year-round for schools, teachers, students, and more: https://www.nycballet.com/educate/ | New Yor

The 2019-20 Season is upon us, bringing 53 stunning works across 22 programs in a collection of choreography true to the heart of New York City Ballet – robust, eclectic, and boundary-breaking. Enriched by George Balanchine’s belief that a successful performance goes beyond a mastery of the steps, we look toward the idea of dancers being, as he put it, “poets of gesture” – channeling both choreographic intention and their own artistic identities into every movement. Invite this poetry into your

RED ANGELS /// Choreographed by Ulysses Dove in 1994 as a part of the New York City Ballet’s Diamond Project. This dynamic piece combines athleticism, striking red lighting, and a musical score by Richard Einhorn to create an intense, high-energy exploration of power and sensuality. Ulysses Dove commented on working with the dancers of New York City Ballet: “I wanted to deal with aspects of the Balanchine aesthetic I find appealing: the speed, legginess, the formality. As for the title, I think