“Border Crossings: Exile and American Modern Dance 1900-1955” opens at the Art, Design & Architecture Museum and dance performances by the Jose Limón Dance Company, Santa Barbara Dance Theater and ...

In 1929 an American critic, Henry McBride, observed that “the centre of the world has shifted” from Paris to New York. America did not just have cultural capital—it was becoming the West’s cultural ...

The contributions by immigrant and indigenous artists and artists of color are being recognized in a new exhibit at the New York Library for Performing Arts. Border Crossings: Exile and American ...

Dance is a powerful art form that transcends mere movement. It is an expression without words that many utilize as a powerful stress reliever. Dance facilitates creative connections, grounds dancers ...

Dana Tai Soon Burgess has been a leading figure in the dance world for over 30 years. But it wasn’t until the pandemic that the out Korean-American choreographer had a chance to really reflect on his ...

Following up on Merel van Beeren’s investigation into the future of Merce Cunningham‘s Studio after its founder’s death, we bring you a graphic history of the intersection of visual art and modern ...

Performances in N.Y.C. Advertisement Supported by An exhibition at New York Public Library tells a different, more inclusive story about the genealogy of an art form. By Brian Seibert The creation of ...

As a student of Martha Graham and a founding member of the Batsheva Dance Company, she helped lay the foundation for an art that has thrived in Israel. By Brian Schaefer Rena Gluck, a dancer, ...

The founder of Texas Christian University’s modern dance program, Jerry Bywaters Cochran, was a proponent of thumbing through fine art books for inspiration — especially ones that featured abstract ...

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Ballet is for rich white folks. Interpretive dance is for freaky hippie types. Those are the myths that visual artist Lee Berger, professional choreographer Candy Jimenez, and composer Jimmy ...